scene

VI er dette auget, Eirik Fauske

premiered at Stamsund International theatrefestival 2019


A campfire burning down. A herd dressed in tracksuits, gathering. A journey through time. An accordion orchestra on a bus journey. A civil servant from Voss. A performative journey by bus in the early 20th century. 
A performance in the of a journey. A performative format that puts the audience in different positions, of guest, of participant and of contributor. In 2018 the festival presented the sketch/stunt production «Vi er dette auget». The group behind it is back this year with a longer performance with the same title, this time taking place in Stamsund, on the E10, and in Kvalnes on the Northern coast of Vestvågøy.  Made and performed by: Eirik Fauske, Ida Grimsgaard, Marit Grimstad Eggen, Camilla Vatne Barratt-Due, Kjersti Aas Stenby, Erik Bauck Bårdstu, og Pernille Holden.
Andre medverkande: Salig blanding, Marie Blokhus (stemme), Oddgeir Thune (stemme).


Performed at

Såna fest 16-17.06.2019

Fjaler Festival

Høst scena, kunstfest Ålesund 

Composer

dance/theatre/performance





VI, FOLKET Espen Klouman Høiner (NO)2018


Amerika er en drøm og en mare, en tilstand, noe å elske og hate, en fortelling basert på en lovtekst som er den amerikanske grunnloven

«Vi, folket av disse Forente Stater, for å skape en mer perfekt forening, anlegge rettferdighet, bevare innenlands fred, sørge for det felles forsvar, fremme den alminnelige velferd og sikre frihetens velsignelser for oss selv og våre etterkommere, forkynner og oppretter denne forfatningen for Amerikas Forente Stater.»

Slik begynner en 231 år gammel tekst. Den er USA. Og den er en av historiens mest innflytelsesrike politiske tekster. Med amerikansk relativisme, eksepsjonalisme og ultra-individualisme som utgangspunkt, gir Espen Klouman Høiner seg i kast med monologforestillingen VI, FOLKET - en livshistorisk beretning fra den amerikanske midtvesten.

Før eller siden følger vi alle etter den hvite kaninen med dårlig tid, krabber inn i kaninhullet og faller flere kilometer ned i jorda til - Amerika! Men Amerika er ikke bare et sted. Amerika er også en idé, en tilstand og en drøm.


RULLETEKST: 

TEKST, REGI, UTØVER: Espen Klouman Høiner 

SCENOGRAFI, KOSTYME, LYS: Signe Becker

 MUSIKK OG LYD: Camilla Barratt-Due

 HAIKU-DIKT: Gina Hechinger

 DRAMATURG: Matilde Holdus

 CO-PRODUSERT AV: Teaterhuset Avant Garden

 TAKK TIL: Rose Theison, John Theison, Domenic Theison, Gina Hechinger, Brad Hechinger og Frank Zimmerman

 STØTTET AV: Black Box Teater. Dramatikkens Hus, Fritt Ord, Kulturrådet (Forprosjektstøtte, prosjektstøtte og fond for lyd og bilde)

 BILDER: Alette Schei Rørvik


Premiered avantgarden 2018

Performed at

Black Box Theatre Oslo 2019

Fjaler Tewaterfesival 2019



RUT Rosalind Goldberg

Even if the things happening around you may seem obvious, their effect on your inside is often very different. They take other dimensional scales. A word for instance, can in a social context just pass and disappear, whereas on your inside it can grow enormously and stay there for years. Actions of any sort can have that impact. They can materialize into the complex net of your body's matter.

Rut is both a character and a solo-performance in which external actions and their effect on the body is visualized. Rut’s body grows, it magnifies emotions and ferments to formations that act in various ways. The matter of her body reveals something which is constantly happening, but hard for the naked eye to see. A constant transformation of the body which is not only influenced by our biology but also by language, norms and laws, convert to manners and habits and has a direct material impact on the body. In Rut, this transformation is placed in a time-lapse, blown-up and displayed.


Konsept og koreografi: Rosalind Goldberg
Utviklet og utøvd av:Marianne Kjærsund
Musikk: Camilla Barratt-Due
Scenografi og kostyme:Alexander Krantz
Lysdesign:Anton Andersson

Støttet av: The Swedish Arts Grants Committee og Det Norske Komponistfond
Co-produsert av: Weld i Stockholm, Skogen i Gothenburg and Avant Garden i Trondheim.


Premiered at Weld Stockholm 2018

performed at

Skogen, Gøteborg 2018

Avantgarden Trondheim 2018

Dansens Hus Oslo ( Praksis Festival )

    Esther Wrobel

    Myopic Time is a vertical dance and music performance. It is a poetic drama about the complexity of moments within an inevitable progression of time. By re thinking time in measurements of pouring salt, we create a system of counter weight that continuously challenges our connection to gravity. Surrounded by this depicted physical reality of limitations, the dance is anchored in memories and reflects personal stories as non-chronological events. The music is based on songs of early American blues, new age, pop and Disney. A set of remixes of the songs are composed and performed in relation to the states of weights that increases throughout the piece. An amplification of the pouring salt makes out a returning refrain and is thought as an audible expression of the theme consisting of time and lived life



    Concept and choreography: Esther Wrobel 
    Composer/Musician: Camilla Barratt- Due 
    Scenography/Costumes: Inbal Libliech 
    Light design/Technical director: Karl Sørensen 
    Rigger/Sound and stage technician: Ariellah Winther 
    Mentor: Lindsey Butcher 
    Consultant: Tiziana Fracchiolla 
    Fundraising/Production help: Maiken Bruun Aamodt  
    Designers/Builders: Mattias Umaerus, Kvinde Smide, Mads Find
    Graphic design: Sam Moore
    Press photos and Documentation: Christoffer Askman





    Notentexte 1

    Collaboration with Pernille Holden


    Premiered at Scenehuset 2018

    Vi er dette auget 2018. Eirik Fauske


    Premiered stamsund international theaterfestval 2018



    Live, et sorgarbeid. Eirik Fauske


    Premiered at Black Box 2016