Camilla Barratt-Due

Sound artist

in  instrument-thinking and music-making I look at

- dissociation through speculative sonification of synthesis, of non-identities and of pressurized air.

- the relationship between the practice of mechanical instruments and vocality. 

- the physical and technical existence of organicity.

- notes and musical scripts according to life of which is an expression.

- catastrophes, life remains and local handworks from living spaces and mechanical bodies asking what redistributive historical inscriptions of traces and patterns looks like for the present.