hidden track
performance and installation
Piksel, Bergen 2019
Scores are made out traces from bark-beetle found on trees in the polish forest Bialowieza forest.
Transcription of photographies taken by Peter Cusack are turned into a collection of sketches that are looped motorically.
The information from the scethes is read by a secial designed lightsensor- scanner by Jo Grys and triggers a set of fans. They send air out to the accordionreeds which creats long sustained tones reflecting the patterns on the trees.
the piece is developed together with Jo Grys
Too muuch time on earth..too sensitive..too alien..
$ "soo".. best intentions.. "soo" i dont wanna
performance
A scanner reads a sketch based on a photo taken by sound artist Peter Cusack depicting traces of bark beetles found on trees in the polish forest Bialowieza.
The scores are played by dismantled accordion-reeds, triggered by external air from a set of programmed mechanically run ventilation-fans and synths.
The interpretation of the insect-patterns has become the material for a composition that seeks to simulate pop music love ballads from the early 90ties
referencing Celine Dion and Robbie Williams. In tracing the love song the reading of these patterns aims to depict the story of a wounded forest.
performed together with Ådne Meisfjord
soundinstallation and performance
Dismantled accordions put together to form a new structure
Played with an altered mechanical system using
Air from air compressor, solenoids, raspberry pi, SuperCollider
Akademi der Künste 2917
Piksel Festival, Bergen 2017
Algomech, Millenium Gallery 2017
Developed together with
Aleksandra Cardenas
Fredrik Olofsson
Jo Grys
supperted by the norwegian art council
Respire Tune
Dismantled accordions put on model-train-tracks
air from ventilationfans.
Played with arduinos
soundinstallation
Developed together with